IV. Individual Studies by Genre

Sharp, Avery T. and James Michael Floyd. “Charles Ives (1874-1954).” In Choral music: a research and information guide. New York, NY: Routledge, 2002.

Bruzaud, Radosveta. “La Dimension Verbale des “Take-Offs” et des “Songs Without Voice” de Charles Ives.” L’éducation Musicale (2004): 16-24.

Bruzaud, Radosveta. “La Notion de Musique à Programme dans les Poèmes Symphoniques de Charles Ives.” L’éducation Musicale (2004): 21-29.

Ward, Jennifer A. “American Musical Settings of “In Flanders Fields” and the Great War.” Journal of Musicological Research, vol. 33 (2014): 96-129.

Rathert, Wolfgang. “Between the “Self” and the “World.” Remarks on the Development of the Art Song in the 20th Century: With a Commentary on the Art Songs by Sang-Geun Lee.” 이상근 연구, vol. 1 (2015): 7.

Smith, Gregg. “Charles Ives and His Music for Chorus.” The Choral Journal, vol. 15, no. 3 (1974): 17-20.

Fogel, Henry. “Brad Robinson Discusses the Songs of Charles Ives.” Fanfare 42 (2018): 90-92.

Ahn, Eun G. “논문 : 아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, vol. 49 (2015): 201.

Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.

“Charles Ives “Evening.”” Milton Quarterly, vol. 3, no. 2 (1969): 23-23.