B. Other

Ivashkin, Alexander. Charlʹz Aĭvz i muzyka XX veka. Moscow, Russia: Sov. kompozitor, 1991.

Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.

Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.

Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.

Vinay, Gianfranco and Marilène Raiola. Charles Ives et l'utopie sonore américaine. Paris, France: Tum et Michel de Maune, 2001.

Chmaj, Betty E. “Sonata for American studies: perspectives on Charles Ives.” Cambridge, United Kingdom: Cambridge University Press, 1979.

Alexander, Shaina. Charles Ives: His Life and Esthetic Theories. Morris Moore Series in Musicology, No. 11. Silver Spring, MD: Shazco, 1999.

Candelaria, Lorenzo F. and Daniel Kingman. “Charles Ives: American Innovator.” In American Music: A Panorama. Belmont, CA: Thomson/Schirmer, 2007.

Paul, David C. Charles Ives in the mirror: American histories of an iconic composer. Urbana, Illinois: University of Illinois Press, 2014.

Cooke, Antony. Charles Ives's Musical Universe: Unlocking the Code... Reassessing his Provenance. West Conshohocken, PA: Infinity Publishing, 2015.