K. Stylistic Influences on Ives

Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.

Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.

Kaskowitz, Sheryl. “‘The Voice of the People Arose’: Charles Ives, Communal Singing and Ritual in American Life.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.

DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.

“Charles Ives and Turn of the Century.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.

Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925, 337. New York, NY: Atheneum, 1985.

Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.

Stevenson, Robert M. Protestant Church Music in America: A Short Survey of Man and Movements from 1564 to the Present, 118-119, 126, 129. New York, NY: W.W. Norton, 1966.

Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.

Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.