Image
Complete Citation:
Abell, Arthur M. Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke. Eschwege, West Germany: G.E. Schroeder Verlag, 1964.
Bibliography
Genres
Abell, Arthur M.
Year: 1964
Source: Book
Reprints:
Abell, Arthur M. <i>Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke </i>[Talks with Great Composers]. New York, NY: Citadel Publishing, 1964.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Acker, Emma
Year: 2009
Complete Citation:
Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Adorno, Theodor W.
Year: 1966
Complete Citation:
Adorno, Theodor W. “Mahler.” In Wagner, Mahler: Due Studi, 215-217. Translated to Italian by Giacomo Mazoni. Torino, Italy: Giulio Einaudi Editore, 1966.Notes:
Relates Ives to Mahler.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Allen, Andrew J.
Year: 2014
Complete Citation:
Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Alves, Bill and Brett Campbell
Year: 2017
Complete Citation:
Alves, Bill and Brett Campbell. “Day of Ascension: (1946-1947).” In Lou Harrison: American Musical Maverick, 124-130. Bloomington, Indiana: Indiana University Press, 2017.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Angermann, Klaus, and Barbara Barthelmes
Year: 1984
Complete Citation:
Angermann, Klaus and Barbara Barthelmes. “Die Idee des klingenden Raumes seit Satie.” In Musik zwischen E und U: ein Prolog und sieben Kon- gressbeitrage, edited by Ekkehard Jost, 107-126. Veroffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt Vol. 25. Mainz, Germany: Schott, 1984.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Asia, Daniel
Year: 2013
Complete Citation:
Asia, Daniel. “Copland—Music and Imagination: A Review and Commentary.” Academic Questions 26, no. 2 (Summer 2013): 212-219.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Austin, Larry and W. Zimmermann
Year: 1981
Complete Citation:
Austin, Larry and W. Zimmermann. “Interview mit W. Zimmermann.” Insel-Musik, Köln (1981): 404-407.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Austin, William W.
Year: 1966
Complete Citation:
Austin, William W. “Contemporaries in America, Australia, Japan.” In Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Austin, William W. “Susanna,” “Jeanie,” and “The Old Folks at Home”: The Songs of Stephen C. Foster from His Time to Ours. 2nd ed. Urbana, IL: University of Illinois Press, 1987.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Babcock, David
Year: 1980
Complete Citation:
Babcock, David. “Carl Ruggles: Two Early Works and ‘Sun-Treader’.” Tempo, no. 135 (1980): 3-12.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1980
Complete Citation:
Babcock, David. “Carl Ruggles: Two Early Works and Suntreader.” Tempo 135 (December 1980): 3-12.Notes:
Ruggles’s small output is cited in con-trast to the large output of Ives.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Baggiani, Guido
Year: 1977
Complete Citation:
Baggiani, Guido, “Ives and Our Music Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 228-230. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Baisley, Robert W.
Year: 1975
Complete Citation:
Baisley, Robert W. “Charles Wakefield Cadman: Completely American.” Music Educators Journal, vol. 61, no. 9 (1975): 57-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ballard, Lincoln
Year: 2004
Complete Citation:
Ballard, Lincoln. “Scriabin and Ives: An Unanswered Question?” Journal of the Scriabin Society of America 9 (2004): 37-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Ballard, Lincoln. “Charles Ives and Scriabin: An Unanswered Question?” Lecture, Society for American Music National Meeting, Eugene, Oregon, February 17, 2005.Source: Public Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “L’eccentrico assicuratore Ives” (24--25). Il Giornale della Musica 20/204 (May 2004): 24--26.Notes:
Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bardi, Aloma, ed.
Year: 2004
Complete Citation:
Bardi, Aloma, ed.“Ives, un Padre del Novecento.” Il Giornale della Musica 20/204 (May 2004): 24--26.Notes:
A group of articles for the fiftieth anni-versary of Ives’s death. Color photograph of Ives by George Grayson Tyler on the cover. [Ives: Father of the New Century].
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Baron, Carol K.
Year: 2003
Complete Citation:
Baron, Carol K. “‘Father Knew (and Filled Me Up with) Bach’: Bach and Ives—Affinities in Lines and Spaces.” In Bach Perspectives: Vol. 5: Bach In America, edited by Stephen A. Crist, 151-178. Urbana, IL: University of Illinois Press, 2003.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bassi, Adriano
Year: 1998
Complete Citation:
Bassi, Adriano. “Da Gershwin ad Ives nell’America del ‘900.” Ras- segna musicale curci quadrimestrale 51 (May 1998): 33--35.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers