Image
Complete Citation:
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.
Bibliography
Genres
Alexander, Michael John
Year: 1986
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1989
Complete Citation:
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Arlton, Dean Luther
Complete Citation:
Arlton, Dean Luther. “American piano sonatas of the twentieth century: selective analyses and annotated index.” Thesis, Columbia University, 1968.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Babcock, Michael J.
Year: 1974-1975
Complete Citation:
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Babko, Jeff
Year: 2014
Complete Citation:
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Bardi, Aloma
Year: 2004
Complete Citation:
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Baron, Carol Kitzes
Year: 1987
Complete Citation:
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory of Pitch Organization, and a New Critical Edition for the Three Page Sonata.” Ph.D. diss., City University of New York, 1987.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Bärtschi, Werner
Year: 1986
Complete Citation:
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Bäßler, Hans
Year: 1992
Complete Citation:
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Berger, Arthur V.
Year: 1934
Complete Citation:
Berger, Arthur V. “The Songs of Charles Ives.” Musical Mercury 1 (October-November, 1934): 97-98.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Boatwright, Howard
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” Perspectives of New Music (Spring-Summer 1965): 22-31.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1965
Complete Citation:
Boatwright, Howard. “Ives’s 1/4 tone Impressions.” Perspectives of New Music, vol. 3 (Spring-Summer 1965).Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1971
Complete Citation:
Boatwright, Howard. “Ives’ Quarter-Tone Impressions.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 3-12. New York, NY: W.W. Norton, 1971.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Bruhn, Christopher
Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Burge, David
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.Notes:
Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”
Source: Magazine, Book
Reprints:
Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.Source: Journal
Reprints:
Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.Notes:
Comments about Sonatas Nos. 1 and 2.
Source: Magazine
Reprints:
Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.Source: Magazine
Reprints:
Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.Source: Chapter in Book
Reprints:
Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works