| |
1893: |
Date on manuscript: song Canon [I] |
| |
1894: |
William E. Ashmall turns down Variations on "America"
for publication and returns the manuscript |
| |
1918: |
MS date ("1917"): Premonitions (mvt. iii of Set
No. 3), sketch (or ?orchestration), "120 E. 22" |
| |
1921: |
First printing: Sonata No. 2 for Piano: Concord, Mass.;
Redding, Conn., by the author |
| |
1929: |
First publication: Symphony No. 4, mvt. ii, in New
Music |
| |
1932: |
First publication: The Fourth of July (mvt. iii of
"Holidays Symphony"), Berlin: Edition Adler; San Francisco: New Music,
Orchestra Series; Lincoln, the Great Commoner, San Francisco: New
Music, Orchestra Series; Set for Theatre Orchestra, San Francisco:
New Music (under title "A Set of Pieces for Theater or Chamber Orchestra") |
| |
1952: |
First recording: songs At Parting, At Sea, A
Christmas Carol, Feldeinsamkeit/In Summer Fields, Ich grolle
nicht, A Night Thought, Tolerance, Walt Whitman,
and When stars are in the quiet skies (Jacqueline Greissle [S] and
Josef Wolman [pf]) for SPA Records; issued 1953) |
|
Jan 1
|
1902: |
Date on manuscript: song Ilmenau "copied at Povert[y
Flat]" |
| |
1908: |
Date on manuscript: Sonata No. 1 for Piano, mvt. v,
"ended at 125 Woodland St., Hartford" (Conn.) |
| |
1911: |
Date on manuscript: String Quartet No. 2, mvt. ii,
sketch, "good place to stop, not end!" |
|
Jan 2
|
1850: |
Birth of Ives’s mother Mary Parmelee at Danbury, Conn. Mary
Parmelee is (de facto) the subject of Ives’s song Songs my mother
taught me. |
|
Jan 4
|
1896: |
Date on manuscript: band March "Omega Lambda Chi" |
| |
1903: |
Date on manuscript: song The Sea of Sleep "[composed]
in Danbury" |
| Jan 6 |
1931: |
Premiere: piano Four Transcriptions from "Emerson",
No. 1 (Oscar Ziegler [pf]), at New School, New York City |
|
Jan 8
|
1792: |
Birth of hymn tune composer Lowell Mason at Medfield, Mass. Mason's tunes
used by Ives include:
Antioch ("Joy to the World"; Symphony No. 4, mvt. iii)
Bethany ("Nearer my God to Thee"; Decoration Day; Symphony No. 4, mvt. i; String Quartet No. 2, mvt. iii; songs Down East, Evening)
Fountain ("There is a fountain filled with blood"; Symphony No. 3, mvt. ii; songs General Booth, West London)
Hamburg ("When I survey the wondrous cross"; Symphony No. 2, mvt. ii)
Missionary Hymn ("From Greenland’s icy mountains"; Symphony No. 4, mvt. iii; String Quartet No. 1, mvt. i)
Naomi ("Now from the altar of my heart"; Symphony No. 3, mvt. ii)
Olivet ("My faith looks up to Thee"; Largo cantabile: Hymn [mvt. i of A Set of Three Short Pieces]; song Hymn)
Watchman ("Watchman, tell us of the night"; Symphony No. 4, mvt. iii; Sonata No. 1 for Violin and Piano, mvt. iii; song Watchman)
Work Song ("Work, for the night is coming"; Sonata No. 1 for Violin and Piano, mvts. ii & iii)
|
|
Jan 9
|
1995: |
First recording: choral Easter Carol (BBC Singers,
cond. by Stephen Cleobury; issued in 1996 by Collins Classics) |
|
Jan 10
|
1931: |
Premiere: Orchestral Set No. 1: Three Places in New England
(Chamber Orchestra of Boston, cond. by Nicolas Slonimsky), at Town Hall,
New York City—Ives is present. |
|
Jan 12
|
1902: |
Premiere: lost Hymn-Anthem at Central Presbyterian
Church (developed into Set for Theatre Orchestra, mvt. iii "In the
Night") |
| |
1914: |
Issue of Independent with parts of Vachel Lindsay’s
poem "General Booth." Ives set it as the song General Booth Enters into
Heaven. |
| |
1921: |
Maurice Morris’s very short poem "Ann Street" appears in New
York Herald. Ives set it as the song Ann Street. |
|
Jan 14
|
1741: |
Birth of American soldier Benedict Arnold (and turncoat spy)
at Norwich, Conn. Ives contemplated composing an opera to be called "Benedict
Arnold" (or "Major John Andre") and seems to have produced for it Overture
and March "1776" and possibly "Country Band" March. |
| |
1940: |
Premiere: Sonata No. 4 for Violin and Piano (Eudice
Shapiro [vn] and Irene Jacobi [pf]), at Museum of Modern Art, New York City |
|
Jan 16
|
1888: |
Premiere: Holiday Quickstep (theater orchestra, cond.
by George E. Ives), at Taylor’s Opera House, Danbury, Conn. |
| |
1901: |
Date on manuscript: Symphony No. 2, mvt. ii, full score
"finished" |
|
Jan 17
|
1924: |
Premiere: song Charlie Rutlage (Leon Ryder-Maxwell
[Bar] and Clara del Marmol [pf]), at H. Sophie Newcomb Memorial College,
New Orleans |
| |
1967: |
First recording: instrumentally accompanied songs A Lecture,
New River, Allegretto sombreoso: The Incantation [all from
Set No. 1], The Last Reader [mvt. i of Set No. 9],
Adagio sostenuto: At Sea and Luck and Work [both from Set
No. 3] (William Feuerstein [Bar], Adrienne Albert [Mez], Columbia Orchestra,
cond. by Gregg Smith; issued in 1969 by Columbia Records) |
|
Jan 18
|
1921: |
Copies of Sonata No. 2 for Piano: Concord, Mass. "ready
for shipment" by G. Schirmer |
| |
1940: |
Premiere: songs He Is There! and In the Alley (Mary B.
Holley [S] and Sarane Ives [pf]), in a concert of Ives’s music at "Oheyahtah,"
Danbury, Conn.
|
| |
1944: |
Premiere: songs A Farewell to Land, Song for Harvest
Season, and Tolerance (Alice Duschak [S] and Dimitri Mitropoulos
[pf]), at the Minneapolis Institute of Arts, Minneapolis, Minn. |
|
Jan 19
|
1925: |
Date on manuscript: song A Sea Dirge, ink copy |
|
Jan 20
|
1919: |
Diary: "Charlie finishing up Prologue [to Essays Before
a Sonata]." The Essays are Ives’s fascinating rumination on the
writing and soul of Concord’s transcendentalist writers Ralph Waldo Emerson,
Nathaniel Hawthorne, Bronson Alcott (and family), and Henry David Thoreau;
the "sonata" of the title is one of Ives’s masterpieces, Sonata No. 2
for Piano: Concord, Mass. |
| |
1939: |
John Kirkpatrick plays Sonata No. 2 for Piano: Concord,
Mass., at Town Hall, New York City (Lawrence Gilman’s review: "the greatest
music composed by an American.") [for the actual premiere, see Nov 28, 1938] |
|
Jan 23
|
1954: |
Harmony Ives, Carl Ruggles, and Edgard Varèse hear
Sonata No. 2 for Piano: Concord, Mass. (John Kirkpatrick, pf) at
Town Hall, New York City |
|
Jan 25
|
1914: |
Birth of conductor William Strickland at Defiance, Ohio. Strickland
conducted the first recordings of Holidays Symphony, Robert Browning
Overture, and The Pond. |
| |
1929: |
Death of Mrs. George E. Ives (Mary Parmelee; Ives’s mother),
79, at Danbury, Conn. Ives’s songs Immortality and Like a Sick
Eagle deal with the subject of death. |
|
Jan 26
|
1918: |
Ives (pf) and Reber Johnson (vn, concertmaster of the New
York Symphony) play Mozart sonatas for soldiers at Camp Upton (Yaphank,
Long Island) |
|
Jan 28
|
1919: |
Date on manuscript: song To Edith, adapted (in honor
of Ives’s adopted daughter) |
| |
1994: |
Premiere: Universe Symphony [Austin realization] (Cincinnati
Philharmonic Orchestra with the University of Cincinnati College-Conservatory
of Music Percussion Ensemble and Chamber Choir, cond. by Gerhard Samuel
and four assisting conductors), at the College-Conservatory of Music, Cincinnati,
Ohio |
|
Jan 29
|
1843: |
Birth of American president William McKinley at Niles, Ohio.
Ives’s March "Intercollegiate," with "Annie Lisle" was played by
the US Marine Band in Washington, DC at McKinley’s inauguration in 1897;
Ives composed his song William Will to support the Republican presidential
campaign of William McKinley. |
| |
1927: |
Premiere: Symphony No. 4, mvts. i & ii (members
of the NY Philharmonic, cond. by Eugene Goossens), at Town Hall, New York
City |
| |
1994: |
First recording: Universe Symphony [Austin realization]
(Cincinnati Philharmonia Orchestra with the Cincinnati Conservatory of Music
Percussion Ensemble, cond. by Gerhard Samuel; issued in 1994 by Centaur
Records) |
|
Jan 31
|
1967: |
Premiere: Gong on the Hook and Ladder [orchestral version] (New
York Philharmonic, cond. by Leonard Bernstein; issued in 1972 by Columbia
Records)
|
